ATROCITY, one of Germany's most successful metal bands, is one of the most experimental and diverse musical acts in the history of metal. They have always found the courage to explore uncharted territories, while delivering top-notch productions. One such production was their previous full-length release, “Werk 80 II”, which entered the top 20 of the German Media Control Charts. Looking further back into the past, the metal chameleons forged an alliance with vocalist Yasmin (the sister of frontman and producer Alexander Krull). It came as no surprise, as the band had already worked with A-list vocalists in the early Nineties. The result of this cooperation was the EP “Calling the Rain”— a pioneering work at that time. The songs were a perfect blend of ethnic elements, world music, and metal. Up to this point, this was an unimaginable mix of atmospheric, yet gripping musical diversity.
The latest ATROCITY FEAT. YASMIN album, “After the Storm”, does not simply reiterate the sounds of the past, but rather elevates the songwriting and production to an entire new level. All instruments were performed live and the ample amount of percussion allows for a tapestry of complementary rhythms. The driving and tribal-like beats are the foundation of ATROCITY’s music, making way for the intensity and fascination that follows. The string instruments and vocals harmonize perfectly with both the mood of the individual songs and the music as a whole. Besides wonderful atmospheric songs such as the title track “After the Storm” or the emotive “Silvan Spirit”, true rock songs like “Black Mountain” or the anthem “Transilvania” divulge a completely new side to the metal band. With “A New Arrival”, “As the Sun Kissed the Sky”, or the music-turned-Celtic-legend “The Otherworld”, ATROCITY, together with the exotic vocals of Yasmin, holds the audience captive in their mythic world. The band featuring the singing siblings then switches into high gear with the catchy song “Call of Yesteryear”! No listener will remain untouched. The music of ATROCITY FEAT. YASMIN can only be described with one word: unique!
Here’s a short flashback into the past of the possibly most alterable and experimenting band in metal history:
In 1985, ATROCITY was formed. After the releases of the demo tape “Instigators” (1988) and the EP “Blue Blood” (1989) on Nuclear Blast (this EP is a rare collector’s item nowadays), ATROCITY presents their debut album ‘Hallucinations’ in 1990, a forerunner of technically skilled Death Metal.
After international tour successes, ATROCITY releases ‘Todessehnsucht’ in 1992 via Roadrunner Records. They surprise the critics with classical elements and opera singers as guest musicians, to integrate them into their music. This bombastic sound brings ATROCITY in comparison with ‘Wagnerian moments’ and they manifest their reputation as a ‘band with extremely complex and well structured song ideas’.
In 1994 ‘Blut’ is released through Massacre Records. The Vampire concept is the red line in the entire album, and it enables the listener to feel the dark scenery and fascinating atmosphere of Transylvania. The creative output causes a very positive reaction from the press and fanbase: ATROCITY cannot be put into any stylistic category any more.
Both CDs from 1995, ‘Calling the Rain’ and ‘Die Liebe’ are logical consequences of this. The song ‘Calling the rain’ from the ‘Blut’ album was so positively well received that ATROCITY decided to continue in this way. With the vocal support from Yasmin Krull, the band reaches a new atmospheric level. ‘Die Liebe’ is a groundbreaking teamwork from ATROCITY with the German Gothic Icon ‘Das Ich’. Both bands arranged songs of the other band to finally interpret them together. It is the first time that two bands from the Metal and the Gothic scene are working together which laid an important foundation stone for the Metal and Gothic crossover. ATROCITY finally managed to become a solid term for fans of Dark Wave and Electro music.
1996: ATROCITY’s album ‘Willenskraft’ gets the past, present and future right to the point with an arrangement of brutal riffing, hymnlike parts and atmospheric elements. ‘The definition of Kraft & Wille’ EP with its Electro and industriallike remixes is a bonus as well as a sequel to the cooperation with Das Ich and it also contains their classic ‘Gottes Tod’. As a complete contrary program you get the ‘The Hunt’ EP with brutal songs (including a remake of ‘Blue Blood’) which expressed the band’s gratitude to the Old School Friends for their long years of support. The limited video box ‘Kraft & Wille’ was another present to the loyal fans.
In 1997, ATROCITY decided once again to enter new musical grounds. The intention of ‘Werk 80’ was to transform pop-classics of the eighties into ATROCITY songs. The outcome was a wave of rapturousness in the clubs: with songs like ‘Wild Boys’, ‘Shout’ or ‘Der Mussolini’, the fans managed to dance them into the charts.
Before the end of the Millennium, ATROCITY released their first greatest hits album ‘Non Plus Ultra’ (1989-1999) with a lot of specials and the premiere of their first live show in the USA.
The following and successful chart album ‘Gemini’ (2000 on Motor/Universal) continued where Werk 80 has ended up. Electronic elements, a bilingual textual concept and even more essential structures, without loosing the typical ATROCITY – Originality.
After that, ATROCITY signed a worldwide record deal with Napalm Records and in 2004, the spectacular ‘Atlantis’ album was released. According to their tradition, the quintet preferred an entire concept album. ‘Atlantis’ is a very diversified and atmospheric Metal album, which contains bombastic, epic songs in which heaviness, atmosphere and melody work hand in hand to tell the story of Atlantis and the Golden Age. Besides engrossing the listener not only in a musical way, you find on ‘Atlantis’ a multimedia section with detailed information about the greatest myth of our time.
In 2008, ATROCITY brought back the 80s once again, heavier than ever before, by delivering thrilling arrangements of well-known songs such as "Smalltown Boy", "The Sun Always Shines Of TV", "Fade To Grey", "People Are People", or "Don't You Forget About Me". The cover model of the Top 20 chart album “Werk 80 II” is nobody else than fetish icon, Pin Up Star and world famous Burlesque artist Dita von Teese! Moreover, the hits from WERK 80 II were put in action with the help of a symphonic orchestra and a choir in the typically bombastic ATROCITY style.
01. Pandaemonium (6:12)
02. Death by Metal (3:28)
03. March of the Undying (3:52)
04. Haunted by Demons (3:48)
05. Murder Blood Assassination (5:40)
06. Necromancy Divine (6:48)
07. Satans Braut (3:17)
08. Todesstimmen (1:58)
09. Masaya (3:01)
10. When Empires Fall to Dust (4:16)
11. Beyond Perpetual Ice (3:39)
12. La Voisine (8:07)